Process for Year of the Rat.
- Scanned pencil sketch finished up digitally
- Scanned inks
- Digital color mockup
- Scan with finished marker color
- Digital texture, calligraphy & seal placement, color adjustment
Process for Year of the Rat.
Process shots for Pray for the Wicked.
Prints available here and here.
The original is also available.
Old process photos for this tattoo commission from last month.
Inktober 24: Nerium oleander
(oleander)
Poisonous: entire plant.
Symptoms: nausea, vomiting, seizures, coma, death.
More #inktober 2018.
Also see: Coloring timelapse.
Some earlier process shots for Collapsing Thought, which is hanging as part of the NIGHTMARE OF AGES show at Push/Pull through October 17th. Some other WIP photos I posted before are here.
Tools: Tombow Fudenosuke, Pentel pocket brush, Copic markers | other tools.
Process for Ancient and Wild.
Tools: Zebra brush pen, Tombow Fudenosuke, Pentel pocket brush, Copic markers, Sakura Gelly Roll | other tools.
A cooldown doodle from a while ago that got out of hand because I was using a fresh pen and it’s just so easy to go overboard when the pen is so perfect.
One of many drawings included in Search Party.
Tool: Tombow Fudenosuke (hard).
Process for Oscar and Spanish Moss.
I haven’t sorted through photos in months, hence all the old process pics!
Tools: Zebra brush pen, Tombow Fudenosuke, Copic markers, Sakura Gelly Roll | other tools.
FUN FACT. I screwed up coloring Sunburst the first time because I forgot about his stockings, so I had to lightbox, re-pencil, and re-ink it. This actually happens to me a LOT and I’ve re-inked single pieces to fix various types of mistakes up to FIVE TIMES before. You’d think I’d learn, but I sure haven’t!!!
Traditional media is suffering. :D
Tools: Tombow Fudenosuke, Copic markers | other tools.
Finished drawings: Rarity | Sunburst
Both originals are still available, along with prints, in my shop.
Some process photos I never posted.
Finished drawings: Fluttergoth | Tempest
Tools: Tombow Fudenosuke, Copic markers | other tools.
Both Fluttershy and Tempest have sold. Prints are available in my shop.
Process for the presumption of innocence. Sorry for the inconsistent lighting.
Also see: Final, mockup VS final
A fun gif comparing the initial mockup to the final drawing for the presumption of innocence. I’ll compile all the proper process photos later.
Process for Luna and Lilies.
Tools: Strathmore 140 lb/300 gsm watercolor paper, Daniel Smith watercolor tubes, Bombay black india ink, Yasutomo Niji water brushes, Raphael Kolinsky sable no. 1+ 2 brush | other supplies.
The finished piece is available on prints and things:
Process for Raised in Captivity | Original is still for sale.
Sorry for the bad lighting in most of these. I turned this around on a tight deadline so there was a lot of nighttime painting.
Tools: Strathmore 140 lb/300 gsm watercolor paper, Daniel Smith watercolor tubes, Yasutomo Niji water brushes, Raphael Kolinsky sable no. 2 brush.
Also see: other supplies.
Some process photos of this pet portrait from last year! There are some process videos in that previous post too.
Tools: Tombow Fudenosuke, Copic markers | other tools.
Some process shots of Mikado.
Also see: final tomato seed pack, which you can buy! Prints will also be available through Hudson Valley Seed Co soon. :>
Work in progress.
Tools: Raphael series
8404 kolinsky brush #1, Bombay black India ink (diluted), Daniel Smith watercolors, Strathmore 400 Series Watercolor paper in 9″x12″.
Some on location watercolor speedpaints while I was in Zhaoqing visiting family.
Most of these are quite a bit off since I was working pretty fast (30-45 minutes each) and couldn’t look both down at the paper and up at the scene at the same time. The bridge painting is also only half finished because I got rained on working on it, but I kinda like how it turned out anyway.
Also, I’m not used to painting outside in 100 F and max humidity…. it’s hard to paint when paint doesn’t dry. :’)
Tools: Winsor & Newton Cotman watercolor travel set, (also squeezed in a bit of Daniel Smith Payne’s Gray before I left since the set doesn’t have a grey) Yasutomo Niji water brushes, some 03 tech pen, random flat brush, Strathmore 400 Series Watercolor paper in 5.5″ x 8.5″.
Bunch of WIP photos of Roses, a 12-page comic I did over a weekend during a slow convention.
Tools: Uni Kuru Toga (05), Marvy Le Pen (03), Pentel pocket brush, Zebra brush pen (super fine), Kuretake #8, Akashiya Sai ThinLine, Bombay India Ink, Strathmore 300 series smooth Bristol.
Dang, I never posted this bad WIPs from last year of the Tiger.
Prints, etc: Redbubble | inPRNT
Tools: Pentel pocket brush, Zebra brush pen (super fine), Kuretake #8, Akashiya Sai ThinLine, Copic markers, Strathmore 300 series smooth Bristol.
Process for Snake.
Sorting through my photos from the last few months. Hope you like process photos.
Prints, etc: Redbubble | Society6 | inPRNT
Tools: Zebra brush pen (super fine),
Pentel pocket brush, Copic markers, Strathmore 300 series smooth Bristol.
Process for the destructive impulse.
I previously posted the inking process and a short coloring video for the same piece.
DID YOU KNOW: I inked this dude three times because in addition to just inking it twice to start with, I reinked all the lines after coloring it since the marker washes out the blackness a bit ha ha ha…..
Prints, etc: Redbubble | Society6 | inPRNT
Tools: Zebra brush pen (super fine), Copic markers, Uchida Le Pen technical pen (03), Uni-ball Signo Broad Gold ink pen, Strathmore 300 series smooth Bristol.
30x speed framelapse. I wish I could color this fast… u_u